Surfacing
approx. 700 x 1000 mm
mixed media on sculptural form
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From a lake a fish jumps
An idea of a fish jumps
A fish jumps, carved wooden fish with dots painted on the sides,
No, antlered fish thing drawn in red on cliffstone, protecting spirit.
It hangs in the air suspended, flesh turned to icon, he has changed
Again, returned to the water. How many shapes can he take.
I watch it for an hour or so; then it drops and softens, the circles
Widen, it becomes an ordinary fish again
- Atwood
Memory Trace
Memory Trace (2004)
: a photo-drawing (series) :
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‘Memory trace’ is the preserved content of the lingering imagery of experience. The experienced memory (in time and space) is recalled from the contained imagery of the object (body). Memory traces tend to fade out in time and become signs and the contents fragment and defragment; are remixed. The salient features of the distant hum are emphasized, unbalance balances. When something seems familiar, that memory contains the referential similarity or the similarity of trace interfaces within the scene (context).
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(detail view)Being Watched (the speed of war)
installation view
intaglio poster for the installation
(2005)
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Experiment of the limitation with body speed
(2005)
drawing as a remnant of performance
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(front view)
(from above)
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