Category Archives: see.saw
Development of the see.saw Structure
Modular Room Component Image
> different views of L-module components
=====================
Reflected Image in the L-module component
> possible corner screen material: mirrors, acrylic sheets, or reflective screens…
=============================
Possible Configuration Assembled from the Modular Components
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Development of the see.saw Structure
Modular Room Component Image
> different views of L-module components
=====================
Reflected Image in the L-module component
> possible corner screen material: mirrors, acrylic sheets, or reflective screens…
=============================
Possible Configuration Assembled from the Modular Components
————————————————————————-
see.saw video documentation (2009)
@ the Illingworth Kerr Gallery (May 13 – 23, 2009), Calgary Software: chaotic line drawing in Processing(TUIO Client), real time ambient sound sampling and delayed playback in max/msp, touch sensitive tracking in Community Core Vision (CCV)/tbeta Hardware: 80/20 +++ see.saw
see.saw video documentation (2009)
@ the Illingworth Kerr Gallery (May 13 – 23, 2009), Calgary Software: chaotic line drawing in Processing(TUIO Client), real time ambient sound sampling and delayed playback in max/msp, touch sensitive tracking in Community Core Vision (CCV)/tbeta Hardware: 80/20 +++ see.saw
see.saw installation view
May 13 – 23, 2009
@ Illingworth Kerr Gallery, Calgary
see.saw inside view
The person we see in the picture is not in front of us physically; it is an illusion (reflection) of the person who is on the other side of the hallway. In see.saw, we see around corners but are not aware that we
see.saw inside view
The person we see in the picture is not in front of us physically; it is an illusion (reflection) of the person who is on the other side of the hallway. In see.saw, we see around corners but are not aware that we
see.saw installation view in the gallery space
reflection on the wall interaction with the multi-touch screens see.saw installation view at the Illingworth Kerr Gallery, Calgary
see.saw installation view in the gallery space
reflection on the wall interaction with the multi-touch screens see.saw installation view at the Illingworth Kerr Gallery, Calgary
see.saw interaction
interaction with the touch screens
[description] see.saw
Suk Kyoung Choi
April 2009
The work experiments with human psychological sense assumptions about reality through tactile/physical human sensing (and/or perception). I am interested in time and space; mixed, inconsistent, non-linear, and in loops of time and space, in span/spam, in memory, and in multiple mixed realities. Mixed time and space, mixed bodies – objects (interfaces), perceptions, and memories, again. I want to offer an experience in which the participant may perceive remixed time and space, and is thus situated in the awareness of virtual/real (un)realities. Our existence is neither real nor reality (‘what actually happened’) but beingmay be both (localized) real (I – body, objecthood, or interface) and reality (I – mind, subjectivity, or concept) (‘what happened for the perceiver’, a self-defining reduction of reality).
[description] see.saw
Suk Kyoung Choi
April 2009
The work experiments with human psychological sense assumptions about reality through tactile/physical human sensing (and/or perception). I am interested in time and space; mixed, inconsistent, non-linear, and in loops of time and space, in span/spam, in memory, and in multiple mixed realities. Mixed time and space, mixed bodies – objects (interfaces), perceptions, and memories, again. I want to offer an experience in which the participant may perceive remixed time and space, and is thus situated in the awareness of virtual/real (un)realities. Our existence is neither real nor reality (‘what actually happened’) but beingmay be both (localized) real (I – body, objecthood, or interface) and reality (I – mind, subjectivity, or concept) (‘what happened for the perceiver’, a self-defining reduction of reality).
